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Każdy wybór jest dla nas tragiczny ponieważ zawsze wiemy, że istnieje świat równoległego wyboru niemożliwy do zrealizowania.
— Carl Cederström – Pętla dobrego samopoczucia
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thunderstruck9:

Richard Diebenkorn (American, 1922-1993), Urbana #2 (The Archer), 1953. Oil on canvas, 163.8 x 120.7 cm.

via inland-delta

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friendsxfamily:

Checkerboard bathroom found at the NYPL’s Pictures Collection.

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chrisknyc:

Alfred Wallis

It’s not ‘natural’ to speak well, eloquently, in an interesting articulate way. People living in groups, families, communes say little—have few verbal means. Eloquence—thinking in words—is a byproduct of solitude, deracination, a heightened painful individuality.
Susan Sontag, As Consciousness is Harnessed to Flesh (via mesogeios)
Doubt is uncomfortable, but certainty is ridiculous.
Voltaire, Oeuvres de Voltaire: Lettres (via philosophybits)
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My God, my God, whose performance am I watching? How many people am I? Who am I? What is this space between myself and myself?
Fernando Pessoa, from The Book of Disquiet (via echymosis)
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pretonobranco77:

Jim Morrison on stage by Ken Regan, 1970

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beyond-the-canvas:

Jean-Michel Basquiat, Riding with Death, 1988.

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aestheticgoddess:

Santiago Salvador

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